Residenze Carlo Erba - 设计类 - 园冶杯国际竞赛组委会

本帖最后由 DEA 于 2020-10-1 18:03 编辑

©Marco de Bigontina ESPERIENZA-DRONE

项目概况 Project Overview

Carlo Erba 是一座融于城市肌理的住宅建筑，位于意大利米兰Erba广场一个三角形场地中，由埃森曼建筑事务所、Degli Esposti Architetti、AZstudio合作设计。该项目试图创造一个标志性的当代公寓建筑，在提供适宜的商业化住宅单元的同时，回应城市的建筑文脉。

©Degli Esposti Architetti

©Marco de Bigontina ESPERIENZA-DRONE

Carlo Erba is a residential building with s-formed structure that gently penetrates within the city fabric which sits on a triangular site bounded by non-descript buildings. It was designed by Peter Eisenman’s firm Eisenman Architects, Degli Esposti Architetti and AZstudio. This project attempts to create a symbolic contemporary apartment building with the number of units required for commercial viability while responding to the context.

设计思路 Design Thinking

该住宅项目展示了一种新的住宅类型。它提出了“抽象”与“现象”两种谱系建筑的交集，这两种谱系构成了批判性对话的基本结构。其中，“抽象”是指建筑嵌入句法结构中的每一个部分，而“现象”则是基于建筑对象的物质存在。这两种谱系代表了过去半个世纪中塑造建筑话语的不同思维模式，它们在本作品中交汇。

建筑的S型体块是基于一系列研究而决定的，从图解中可以看出建筑是如何在满足功能空间划分要求的同时，与20世纪初期的古典主义建筑相结合。该项目与周围环境以及正式入口形成了完美的融合，西侧的公共花园如今被西立面构成的弯曲弧线优雅地包围起来。

©Degli Esposti Architetti

©Marco de Bigontina ESPERIENZA-DRONE

The housing project for Piazza Erba in Milano, demonstrates a new typology. Not only for our work but for new construction in general. It proposes the intersection of two genealogies – abstraction and phenomena – that, it will be argued, have always constituted the underlying structure of a critical dialogue. Abstraction here refers to any aspect of architecture which is embedded in a syntactic structure, while phenomena is grounded in the material presence of the architectural object. While these two genealogies represent disparate modes of thought that have shaped architectural discourse for the past half-century, they intersect in our work for the first time in the Piazza Erba project.

The S-form of the building was determined through a series of studies seen in diagrams that show how it meets both program and zoning requirements and also incorporates an early 20th-century classicist building on the site. This building becomes part of the condominium, as well as its formal entrance. The public garden to the west now “ends” in the curve of the condominium’s west elevation.

设计亮点 Highlights of Design

1.优雅的曲线和错落有致的层次

Gentle curves and dynamic offsets of levels

建筑整体呈s形，通过部分偏移形成层次分明的四个体块

The entire s-shaped building is designed as a series of horizontal bands stacked with slight offsets that create four different layers in the nine-story building.

底座（第1至3层）保持了与城市历史建筑相似的样貌：石灰华饰面、尺寸统一的窗户以及嵌入式的阳台。

中间部分（第4层）相对下方的石灰华底座和上方的大理石外墙，稍微向内回退，并通过玻璃立面与其他层级形成对比。

上层（第5—6层）通过涂釉的金属框架组织起来，形成一个沿着立面长度延伸的水平带，在西立面微微突出，在东立面则以栅格的形式嵌入建筑的体块。

顶层（第7—9层））从某种意义上来说并非一个水平连续的层级，而是一系列错落有致、带有宽阔花园露台的“城市别墅”。

The first three floors constitute a base course similar to historic urban palazzi with travertine cladding and punched window openings of similar size, with inset balconies.

The fourth floor, or second layer, is like a traditional piano nobile; it is set back from both the face of the travertine base and the marble face above, and its glazing contrasts with the stone surfaces.

The third layer, floors five and six, is articulated by enameled metal frames that create a horizontal band running the length of the façade. These frames are set forward of the actual west face of the building. On the east facade, they excavate the mass of the building in a carving lattice.

The fourth and topmost layer, floors seven through nine, is in one sense not a horizontal layer but, in its stepped profile and volumetric mass, a series of “urban villas” with large planting terraces.

2.精心布置的韵律与节奏

Subtly arranged rhythm

贯穿5-9层的白色框架与5-6层的壁柱，分别按照两种有变化的节奏交错排布

The white frames going through the 5th-9th floors and the pilasters of 5-6th floors are staggered in two different rhythms.

3.内外空间的重新定义Redefinition of indoor and outdoor space

框架结构的位移，6-9层室内空间与室外花园的交错排布，以及体块不等距偏移形成的走廊，对自然与建筑的关系进行了全新的定义.
The displacement of the frame structure, the staggered arrangement of the 6-9 floors of indoor spaces and outdoor gardens, and the corridors formed by the offset of the four levels, give a new definition of the relationship between nature and architecture.

平面图

plans

Architect name
Eisenman Architects
Degli Esposti Architetti
AZstudio
Project name: Residenze Carlo Erba
Location of building: Milan, Italy
Completion date: July 2019
Gross square footage
19,700 sqmeters / 210,000 sqfeet above grond;
8,500 sqmeters/90,000 sqfeet underground.
Total construction cost:
40 million euro (40,000,000.00 euro)
Client:
Pinerba s.r.l., a company of Morelli Group
General contractor:
Italiana Costruzioni (Rome): phase 2 and completion
CLE Cooperativa Lavoratori Edili (Bolzano): phase 1
Engineers:
Structural: Studio d’Ingegneria Associato Ardolino, Bolzano;
Mechanical and electrical: Sistema Group Engineering, Montichiari (BS)
(preliminary phase); A.T. Advanced Tecnologies, Rome (execution phase); Studio
MGM, Gallarate (execution phase)
Photographers:
Maurizio Montagna
mauriziomontagna.com
Drone photos
Marco de Bigontina ESPERIENZA-DRONE
esperienza-drone.it
Supervision of construction:
Arch. Lorenzo Degli Esposti
Arch. Paolo Lazza
Arch. Stefano De Vita
Project surveillance:
Geom. Giorgio Marocchi – Sherpa Engineering, Mantova (Phase 1);
Geom. Tristano Barroccu, Milan (Phase 2).

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