此次设计地段位于喀什艾提卡尔大清真寺西侧，基于设计地段的周边环境分析，通过对喀什老城维吾尔族传统民居
的空间结构与功能的分析研究以及作为丝绸之路的重要节点进行流线设计，充分考虑维吾尔族在朝觐之路上的各种场景
及氛围感的再现，将其串联形成一条独有的路径，在材料上采用当地传统的土坯砖，从而真正营造与当地地域相适应
的丝绸之路博物馆。

      朝圣的目的地就是自己心中的地方，朝圣的过程往往是艰难险阻的。朝圣的人希望上帝可以可以看到他们的困境，实现他们的愿望，朝圣者前往圣地祈祷，寻求精神寄托，运用一条完整的流线进行精神引导，在终点得到升华。

       This design location is located in Kashgar Aitikar Grand Halal West of the temple, based on the design of the surrounding environment analysis, through the traditional uyghur dwellings in kashgar's old cityAnalysis of spatial structure and function as well as silk Silk Road important nodes for streamline design, fully Consider the various scenes of uighurs on their way to the hajj And the reproduction of the sense of atmosphere, connecting them to form a single In some paths, local traditional soil is used in materials Billet brick, so as to truly create and local geographical adaptation The Silk Road Museum.
       The destination of pilgrimage is the place in one's heart. The process of pilgrimage is often difficult and perilous. The pilgrims hope that God can see their plight and realize their wishes.

徐怀业

欢迎交流