The first time I entered this apartment on the slopes of Monteverde, on the road that leads from Trastevere Station to Villa Pamphili, I thought: "This house must be freed"!A series of rooms, all of the same size, followed one another without any hierarchical or functional relationship.

当我第一次进入这座位于蒙特维德山坡上的公寓时，在从特拉斯提弗列车站通往潘菲利别墅的路上，我想:“这所房子必须被解放”!一系列大小相同的房间，一个接一个，没有任何等级或功能关系。

A forest of partitions that imprisoned the space separating it from the large terrace from which stood out, like the skeleton of a cathedral among the houses, that icon of industrial archeology that is the Gazometro.
一片隔板的森林将空间与大露台隔开，大露台从中脱颖而出，就像房屋中的大教堂的骨架，这是工业考古的标志——Gazometro。

The renovation therefore consisted in removing the elements of separation with the outside: with the exception of the bedroom in front of the entrance now all rooms are open and look out.
因此，翻新包括去除了与外部分隔的元素：除了入口前面的卧室，现在所有房间都是开放的，可以向外看。

The kitchen exploits a handcrafted obtuse corner, while the hallway, study and living room, thanks to a system of sliding panels, gain that indefinable relationship given by the mobile boundaries, a control of spatial permeability in the service of needs, light, mood.
厨房采用了手工制作的钝角，而走廊、书房和客厅，得益于滑动面板系统，获得了移动边界所赋予的灵活的关系，在满足需求、光线和心情方面也进行了控制。

The stylistic approach, matured with the client through long calls during the Lockdown, is characterized by the respect of the pre-existence of the 50's both at the conservative level (doors, railings) and with reinterpretation interventions, not so much as design as atmosphere: the wallpaper in the bedroom, the pastel colors of the kitchen, the fireplace and the sliding panels recall the vitality and optimism typical of the second post-war period.
在封锁期间，通过长时间的电话与客户沟通，这种风格方法变得成熟，其特点是在保守的层面（门、栏杆）上尊重50年代的存在，并进行了重新诠释，与其说是设计，不如说是氛围的营造：卧室的墙纸、厨房的柔和色调、壁炉和滑动面板让人想起战后第二个时期的活力和乐观。

To this base are added with ease designer furniture and industrial grafts (the gazometer is always there, in sight) as the concrete pillar, the shelf under the iron beam or part of the electrical system in sight.
在这个基础上，可以轻松地添加设计师家具和工业嫁接（在视线范围内，测力计始终在那里），作为混凝土柱、铁梁下的架子或电气系统的一部分。

The result is a house alive and full of perspectives, which invites every time to be discovered.
最终的呈现是一座充满活力和视角的房子，每一次都会被重新发现。

Project name:        La casa del Gazometro
Company name:         02A studio
Location:        Rome
Completion Year:         2021        
Photo credits:         Paolo Fusco

The first time I entered this apartment on the slopes of Monteverde, on the road that leads from Trastevere Station to Villa Pamphili, I thought: "This house must be freed"!A series of rooms, all of the same size, followed one another without any hierarchical or functional relationship.

当我第一次进入这座位于蒙特维德山坡上的公寓时，在从特拉斯提弗列车站通往潘菲利别墅的路上，我想:“这所房子必须被解放”!一系列大小相同的房间，一个接一个，没有任何等级或功能关系。

A forest of partitions that imprisoned the space separating it from the large terrace from which stood out, like the skeleton of a cathedral among the houses, that icon of industrial archeology that is the Gazometro.
一片隔板的森林将空间与大露台隔开，大露台从中脱颖而出，就像房屋中的大教堂的骨架，这是工业考古的标志——Gazometro。

The renovation therefore consisted in removing the elements of separation with the outside: with the exception of the bedroom in front of the entrance now all rooms are open and look out.
因此，翻新包括去除了与外部分隔的元素：除了入口前面的卧室，现在所有房间都是开放的，可以向外看。

The kitchen exploits a handcrafted obtuse corner, while the hallway, study and living room, thanks to a system of sliding panels, gain that indefinable relationship given by the mobile boundaries, a control of spatial permeability in the service of needs, light, mood.
厨房采用了手工制作的钝角，而走廊、书房和客厅，得益于滑动面板系统，获得了移动边界所赋予的灵活的关系，在满足需求、光线和心情方面也进行了控制。

The stylistic approach, matured with the client through long calls during the Lockdown, is characterized by the respect of the pre-existence of the 50's both at the conservative level (doors, railings) and with reinterpretation interventions, not so much as design as atmosphere: the wallpaper in the bedroom, the pastel colors of the kitchen, the fireplace and the sliding panels recall the vitality and optimism typical of the second post-war period.
在封锁期间，通过长时间的电话与客户沟通，这种风格方法变得成熟，其特点是在保守的层面（门、栏杆）上尊重50年代的存在，并进行了重新诠释，与其说是设计，不如说是氛围的营造：卧室的墙纸、厨房的柔和色调、壁炉和滑动面板让人想起战后第二个时期的活力和乐观。

To this base are added with ease designer furniture and industrial grafts (the gazometer is always there, in sight) as the concrete pillar, the shelf under the iron beam or part of the electrical system in sight.
在这个基础上，可以轻松地添加设计师家具和工业嫁接（在视线范围内，测力计始终在那里），作为混凝土柱、铁梁下的架子或电气系统的一部分。

The result is a house alive and full of perspectives, which invites every time to be discovered.
最终的呈现是一座充满活力和视角的房子，每一次都会被重新发现。

Project name:        La casa del Gazometro
Company name:         02A studio
Location:        Rome
Completion Year:         2021        
Photo credits:         Paolo Fusco